Monday, April 15, 2013

Separation of the Self; Frankenstein's Flaw


For me personally, the apparent separation of the ‘self’ from society is one of the most striking and terrifying elements of the novel. When I think of someone living on the fringes of society, I typically associate two extremes: one being the solitary monk of a monastic order, and the other being a loner/crazed deviant of society. Neither of which play into the story, I know. 
In Frankenstein the laboratory has replaced the monastery, and the ‘passions’  reflect obsession and scientific ‘exploration’ as opposed to religious reflection. Victor himself is separated from society of his own volition- choosing to indulge his obsessions and block out any persons he cares about. It’s important to see his connection to his creation, however, as both a father and brother character. This unnatural brotherhood ignores all natural progressions of life and subsequent death, or even the natural order of birth. By choosing to identify with the monster over people in society, Victor gives in to his idealization of what his creation could be. 
This identification of ‘self’ with the monster drives him further from the natural order, and yet quickly turns to revulsion upon its realization. Here the separation comes between F. and the monster (who is in many ways an avatar for Frankenstein himself). F’s monster then physically and mentally reenacts the cycle of separation by his own right. Firstly, in his physical presence, we see his body to be a collection of separated parts that are perversely joined together. Secondly, the monster acts to further push away the people that Frankenstein cares about, just as F. did during his experimentation. Notice that NONE of this results in good outcomes? 

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