Sunday, January 27, 2013
Prophecies & Morality
Throughout Walpole the prophecy is displayed as being a symbol for chaos and change for the characters in The Castle of Otranto. Manfred views the prophecy as a symbol of evil in that his name and family will be brought to ruin, leaving him to slowly become insane throughout the course of the book, as he manipulates family and friends to hopefully thwart the will of the prophecy, which only ends in the end of his household. The prophecy itself is chaotic in that it wants the rightful person on the throne and has no qualms about driving people into insanity, committing murder, and manipulating people to achieve it's goals. In many ways the prophecy is a doppelganger to Manfred in that morality and compassion aren't as important as fulfilling the his goals , Manfred to continue his household and the prophecy to put the rightful Lord of Otranto in-charge. This willingness to exempt oneself from morals and compassion is shown by Manfred in his willingness to commit atrocious acts of murder and unwillingness to accept responsibility for his actions.The prophecy itself commits murders and drives people to insanity, setting up the fall of everyone except Theodore and Isabella so the prophecy can be fulfilled.
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This is a really interesting point, about Manfred mimicking/mirroring the prophecy. I feel like the result of most prophecies is self-realization, whereby the fear and paranoia of the involved forces the realization of the prophecy, and I think this is the case with Manfred, to an extent. For example, later we find out that the attempted marriage between Conrad and Isabella was an attempt to stop the prophecy, and it's these events that spark the conflict and, then, the supernatural things which are out of his control.
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